Pianist Aaron Parks (born Oct 7, 1983) released his Blue Note debut “Invisible Cinema” at the age of 25 following three Blue Note releases with trumpeter Terence Blanchard. The BBC declared it “one of the great albums of 2008.” JazzTimes hailed him as “a new visionary.” The San Jose Mercury News named his “Alive in Japan” release as their 2013 Top Jazz Album of the year. He has released two albums on ECM including a solo piano recording and a trio record featuring Billy Hart and Ben Street. Parks has performed and recorded with Kurt Rosenwinkel, Dhafer Youssef, Terri Lyne Carrington, Ambrose Akinmusire, Gretchen Parlato, Kendrick Scott, and Marcus Miller among others. He is also a founding member of James Farm with Joshua Redman, Matt Penman and Eric Harland. His latest project “Aaron Parks Little Big,” hailed by PopMatters as “what jazz can be in the new century,” released their debut in late 2018; the follow-up “Little Big II: Dreams of a Mechanical Man” was released in May 2020 to critical acclaim. Later that year, Aaron was one of six composers selected to participate in Sundance Institute’s prestigious Film Music and Sound Design Lab. In 2022, he released a pair of collaborative trio albums with Matt Brewer and Eric Harland, and in October 2024 he released Aaron Parks Little Big III on Blue Note Records.
Parks’ music seamlessly blends elements of modern jazz, indie rock, and Eastern modalities, creating a unique and personal sound. His playing is characterized by its lyrical beauty, rhythmic complexity, and harmonic sophistication. He is celebrated for his ability to evoke emotion and introspection through his music, making him one of the most influential and respected jazz pianists of his generation.
Little Big
Pianist and composer Aaron Parks returns to Blue Note Records—where he released his influential 2008 album Invisible Cinema—with Little Big III, the third studio album from his acclaimed band Little Big featuring guitarist Greg Tuohey, bassist David Ginyard Jr., and drummer Jongkuk Kim. Co-produced by Parks and Don Was, the collective’s concise, accessible writing and vibrant, empathetic playing elevate the band’s powerfully modern, post-genre concept for improvised music in the 21st century. Throughout, the bandmembers’ kinship is palpable. There’s a vitality at play on the record that is extraordinary; somehow, it’s beautiful and raw in equal measure. “While this record feels the most supple and alive,” Parks says, “it also feels like the most focused album Little Big has recorded — the most distilled down to the essence.”
Contact Info
Management | Tommy Wilson
Label | Blue Note
Discography | Artist Site