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Grammy-nominated composer-pianist Vijay Iyer (pronounced “VID-jay EYE-yer”) was described by Pitchfork as "one of the most interesting and vital young pianists in jazz today," by the Los Angeles Weekly as “a boundless and deeply important young star,” and by Minnesota Public Radio as “an American treasure.” He has been voted DownBeat Magazine's Artist of the Year three times - in 2016, 2015 and 2012. Iyer was named Downbeat’s 2014 Pianist of the Year, a 2013 MacArthur Fellow, and a 2012 Doris Duke Performing Artist. In 2014 he began a permanent appointment as the Franklin D. and Florence Rosenblatt Professor of the Arts in the Department of Music at Harvard University.
The New York Times observes, “There’s probably no frame wide enough to encompass the creative output of the pianist Vijay Iyer.” Iyer has released twenty albums covering remarkably diverse terrain, most recently for the ECM label. The latest include A Cosmic Rhythm With Each Stroke (2016), a collaboration with Iyer’s “hero, friend and teacher,” Wadada Leo Smith, which the Los Angeles Times calls “haunting, meditative and transportive”; Break Stuff (2015), with a coveted five-star rating in DownBeat Magazine, featuring the Vijay Iyer Trio, hailed by PopMatters as “the best band in jazz”; Mutations (2014), featuring Iyer’s music for piano, string quartet and electronics, which “extends and deepens his range… showing a delicate, shimmering, translucent side of his playing” (Chicago Tribune); and Radhe Radhe: Rites of Holi (2014), “his most challenging and impressive work, the scintillating score to a compelling film by Prashant Bhargava” (DownBeat), performed by International Contemporary Ensemble and released on DVD and BluRay.
Iyer’s trio (Iyer, piano; Marcus Gilmore, drums; Stephan Crump, bass) made its name with two tremendously acclaimed and influential albums, Accelerando (2012) and Historicity (2009). Accelerando was voted #1 Jazz Album of the Year for 2012 in three separate critics polls surveying hundreds of critics worldwide, hosted by DownBeat, Jazz Times, and Rhapsody, respectively, and also was chosen as jazz album of the year by NPR, the Los Angeles Times, PopMatters, and Amazon.com. The Vijay Iyer Trio was named 2015 Jazz Group of the year in the DownBeat International Critics Poll, with Iyer having earlier received an unprecedented “quintuple crown” in the 2012 Downbeat Poll (winning Jazz Artist of the Year, Pianist of the Year, Jazz Album of the Year, Jazz Group of the Year, and Rising Star Composer categories), as well as a “quadruple crown” in the JazzTimes extended critics poll (winning Artist of the Year, Acoustic/Mainstream Group of the Year, Pianist of the Year, and Album of the Year). Iyer received the 2012 and 2013 Pianist of the Year Awards and the 2010 Musician of the Year Award from the Jazz Journalists Association, and the 2013 ECHO Award (the “German Grammy”) for best international pianist. Historicity was a 2010 Grammy Nominee for Best Instrumental Jazz Album, and was named #1 Jazz Album of 2009 in The New York Times, The Los Angeles Times, the Chicago Tribune, the Detroit Metro Times, National Public Radio, PopMatters.com, the Village Voice Jazz Critics Poll, and the Downbeat International Critics Poll, and the trio won the 2010 ECHO Award for best international ensemble.
Iyer’s 2013 collaboration with poet Mike Ladd, Holding It Down: The Veterans’ Dreams Project, based on the dreams of veterans of color from America’s wars in Iraq and Afghanistan, was hailed as #1 Jazz Album of the Year by the Los Angeles Times and described in JazzTimes as “impassioned, haunting, [and] affecting.” Along with their previous projects In What Language? (2004) and Still Life with Commentator (2007), Holding It Down rounded out a trilogy of politically searing albums about post-9/11 American life. These projects were hailed as “unfailingly imaginative and significant” (JazzTimes) and praised for their “powerful narrative invention and ravishing trance-jazz... an eloquent tribute to the stubborn, regenerative powers of the human spirit” (Rolling Stone).
Iyer's accomplishments extend well beyond his recordings. His recent composer commissions include “Playlist for an Extreme Occasion” (2012) written for Silk Road Ensemble (and released on their 2013 album A Playlist without Borders); “Dig The Say,” written for Brooklyn Rider and released on their 2014 album Almanac; “Mozart Effects” (2011) and “Time, Place, Action” (2014) for Brentano String Quartet; “Bruits” (2014) for Imani Winds and pianist Cory Smythe; “Rimpa Transcriptions” (2012) written for Bang on a Can All-Stars; “UnEasy” (2011) commissioned by NYC’s Summerstage in collaboration with choreographer Karole Armitage; “Three Fragments” (2011) for Darcy James Argue’s Secret Society. His orchestral work Interventions was commissioned and premiered by the American Composers Orchestra in 2007 under the baton of Dennis Russell Davies. It was praised by The New York Times as “all spiky and sonorous,” and by the Philadelphia City Paper for its “heft and dramatic vision and a daring sense of soundscape.” Other works include Mutations I-X (2005) commissioned and premiered by the string quartet ETHEL; “Three Episodes for Wind Quintet” (1999) written for Imani Winds; a “ravishing” (Variety) score for the original theater/dance work Betrothed (2007); the award-winning film score for Teza (2008) by legendary filmmaker Haile Gerima; a suite of acoustic jazz cues for the sports channel ESPN (2009); and the prize-winning audiovisual installation Release (2010) in collaboration with filmmaker Bill Morrison. Forthcoming commissions include pieces for Jennifer Koh, Orpheus Chamber Orchestra, and So Percussion. His concert works are published by Schott Music. An active electronic musician and producer, Iyer displays his digital audio artistry on his own recordings Still Life with Commentator, Holding it Down, Mutations, and Radhe Radhe, and in his remixes for British Asian electronica pioneer Talvin Singh, Islamic punk band The Kominas, and composer-performer Meredith Monk.
Iyer was voted the 2010 Musician of the Year by the Jazz Journalists Association, and named one of 2011’s “50 Most Influential Global Indians” by GQ India. Other honors include the Greenfield Prize, the Alpert Award in the Arts, the New York Foundation for the Arts Fellowship, the India Abroad Publisher’s Special Award for Excellence, and numerous critics’ prizes.
Iyer’s many collaborators include creative music pioneers Steve Coleman, Wadada Leo Smith, Roscoe Mitchell, Butch Morris, George Lewis, Amina Claudine Myers, William Parker, Graham Haynes, Miya Masaoka, Pamela Z, John Zorn; next-generation artists Rudresh Mahanthappa, Rez Abbasi, Craig Taborn, Ambrose Akinmusire, Liberty Ellman, Steve Lehman, Matana Roberts, Tyshawn Sorey; Dead Prez, DJ Spooky, Himanshu Suri of Das Racist, High Priest of Antipop Consortium, DJ Val Jeanty, Karsh Kale, Suphala, Imani Uzuri, and Talvin Singh; filmmakers Haile Gerima, Prashant Bhargava, and Bill Morrison; choreographer Karole Armitage; and poets Mike Ladd, Amiri Baraka, Charles Simic, and Robert Pinsky.
A polymath whose career has spanned the sciences, the humanities, and the arts, Iyer received an interdisciplinary Ph.D. in the cognitive science of music from the University of California, Berkeley. He has published in Journal of Consciousness Studies, Wire, Music Perception, JazzTimes, Journal of the Society for American Music, Critical Studies in Improvisation, in the anthologies Arcana IV, Sound Unbound, Uptown Conversation, The Best Writing on Mathematics: 2010, and in the forthcoming Oxford Handbook of Critical Improvisation Studies. Iyer has taught at Manhattan School of Music, New York University, and the New School, and he is the Director of The Banff Centre’s International Workshop in Jazz and Creative Music, an annual 3-week program in Alberta, Canada. Iyer recently finished a multi-year residency with San Francisco Performances, cultivating new audiences and working with schools and community organizations. He is a Steinway artist and uses Ableton Live software.
“Trailblazing… one of his generation’s brightest jazz luminaries” - Time Out New York
“Presto! Here is the great new jazz piano trio.” - The New York Times
“One of the world’s most inventive new-generation jazz pianists” – Guardian (UK)
“[one of] today’s most important pianists... extravagantly gifted... brilliantly eclectic”
– The New Yorker
“The Vijay Iyer Trio has the potential to alter the scope, ambition and language of jazz piano forever.” - Jazzwise (UK)
“One of the best in the world at what he does” – Pitchfork
an American pianist repeatedly ranked among the best improvisers of his generation, who will perform concerts at NYU Abu Dhabi tomorrow and on Friday.
Vijay Iyer at Sanders Theatre — March 20, 2017, The Bay State Banner
Iyer prefers the term “creative music” to jazz; but he is rooted in its fundamentals, including its consolation and uplift, improvisational give-and-take and syncopated rhythms.
"Iyer was voted top Jazz Artist in the Critics Poll, marking the third time he has won the honor, following wins in 2012 and 2015."
Weaving the dreams of veterans with music, poetry to translate experience of war – May 30, 2016, News Works
“[Vijay] Iyer and Ladd found the stories less told, less known and focused on what interested them, the experiences of people of color before and after the military.”
Vijay Iyer & Wadada Leo Smith: A Cosmic Rhythm with Each Stroke Review – May 17, 2016, Stereophile
“I’ve listened to this album several times now, and it’s growing on me with each play.”
Vijay Iyer talks Improvisation and Basketball - Wisconsin Public Radio NPR, April 28, 2016
You could make a strong case that improvisation is the essence of jazz. But to hear jazz pianist Vijay Iyer tell it, improvising is something we all do, even if we aren’t musicians.
NPR: Vijay Iyer Trio at Metropolitan Museum of Art - May 06, 2015
The Metropolitan Museum of Art has announced that Vijay Iyer will be their Artist-In-Residence for the 2015-2016 season.
NPR: Tiny Desk Concert: Vijay Iyer Trio- May 05, 2015
Vijay Iyer Trio perform pieces from Break Stuff on NPR Music's Tiny Desk Concerts series.
Vijay to Join the Met as Artist-in-Residence - April 29 2015
Philly.com: Two sides of pianist Vijay Iyer, both striking - April 21 2015
"The second set displayed one of modern jazz's most exhilarating groups at the height of its powers, focusing on pieces from its just-released Break Stuff..."
Jazz News: Vijay Iyer est Déjà Demain - February 2015
Jazz News Magazine features Vijay and Break Stuff in their February issue (No. 39).
CD of the Week - Vijay Iyer Trio: Break Stuff Review - February 16 , 2015
All About Jazz Italia selects Break Stuff as CD of the week and publishes a 4 1/2 star review (in Italian). Read full review here.
Vijay Iyer, Prashant Bhargava: Rhade Rhade - Rites of Holi - February 16 , 2015
All About Jazz Italia reviews Rhade Rhade: Rites of Holi (in Italian). Read full review here.
The progressive jazz of Vijay Iyer - February 8 , 2015
Spettakolo! Reviews Break Stuff (in Italian).
Vijay Iyer, high class jazz piano - February 2 , 2015
Affaritaliani reviews Break Stuff (in Italian).
Die Ziet: Break Stuff Review - January 29, 2015
The January 29th Issue of Germany's Die Ziet raves about Vijay's new record. "...this record is very, very, very good...” ”...As astonishing as intoxicating...”
Downbeat Magazine: Vijay Iyer Trio: Break Stuff - January 20, 2015
The Vijay Iyer Trio's upcoming (Feb 10) release, Break Stuff, receives a 5-star review in the March 2015 issue of Downbeat Magazine.
France Musique - Vijay Iyer s'offre un break en trio - January 19, 2015
Review of Break Stuff (in French).
New York Times: Conscience of a Composer; Vijay Iyer Performs at BAM - December 19, 2014
"Mr. Iyer’s music was prismatic and encompassing: a knowing homage to Stravinsky’s spiky and propulsive motifs, a mesh of jazz harmonies with Indian modes, a flamboyant orchestral display, an atmospheric swirl..."
New York Times: Jazz Pianist’s Multiple Worlds - December 12, 2014
"There’s probably no frame wide enough to encompass the creative output of the pianist Vijay Iyer."
"Break Stuff features Vijay Iyer's long-running and widely-acclaimed trio with bassist Stephan Crump and drummer Marcus Gilmore, a band in existence for eleven years now..."
"Iyer's mutant style -- at the intersection of two rich but usually parallel traditions -- should make him one of the most interesting draws at this year's Chicago Humanities Festival.
"A pianist, composer and 2013 MacArthur Fellow, Iyer’s concerts can work as lessons as much as performances, although his main goal is the same as any musician’s: enliven, push, liberate..."
From Jazz Open Source Vijay Iyer: Jazz in the 21st Century Vijay Iyer brings you inside the head of a jazz improviser and describes the expressive give and take conversation musicians are having with each other. Listen to the whole show...
Take a tour of the MacArthur genius’s home in Harlem, including a look at his Steinway, favorite books and percussion instruments from India. View the video
The Boston Globe: Vijay Iyer takes career moment to moment - March 13, 2014
"Vijay Iyer leans against a wall in Harvard’s Music Building as sound fills the classroom. He’s listening to a recording of one of his students, a freshman, in a high school group. The playing is assured; a small smile on Iyer’s face shows he’s impressed...."
"Vijay Iyer's new release bridges string quartet and improvistion..."
Official Website: www.vijay-iyer.com
January 16, 2015
|A Cosmic Rhythm with Each Stroke|
March 11, 2016
|With Wadada Leo Smith|
- Historicity (ACT, 2009)
- Solo (ACT, 2010)
- Tirtha (ACT, 2011)
- Accelerando (ACT, 2012)
- Holding It Down: The Veterans' Dreams Project (Pi Recordings, 2013)
- Mutations (ECM, 2014)
- Radhe Radhe (ECM, 2014)
Vijay Iyer solo
Vijay Iyer & Craig Taborn
Vijay Iyer Trio
Vijay Iyer Sextet
Vijay Iyer & Rudresh Mahanthappa: Raw Materials
Vijay Iyer & Mike Ladd/Holding It Down: the Veterans’ Dreams Project
Vijay Iyer with Wadada Leo Smith
Artist In Residence at the Metropolitan Musium of Art in NYC
Resident Musical Director at Ojai Festival in California, 2017
Artist In Residence at SF Jazz, 2016-2017