Emmet Cohen Flexes on Uptown In Orbit
By Sydney Pollack for NYS Music In the 1920s, “Rent Parties” were commonplace in
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Monty Alexander’s The Montreux Years Showcases Master Pianist in a Modern Light
By Mark Smotroff for AnalogPlanet A fabulous new retrospective collection being released via BMG on
Danny Grissett: Remembrance
By George W. Harris For the Jazz weekly Best known for his work with Tom
The Infectious Joy Of Mwenso & The Shakes
By Stephen Kallao and Kimberly Junod for NPR Music There are charismatic people, and
Djembist Weedie Braimah Cements Progressive Musical Concepts Via ‘Hands of Time’ (ALBUM REVIEW)
By Jim Hynes for Glide Magazine Step back for just a minute and realize
That voice you hear in ‘The Woman King’ is Dianne Reeves summoning her abounding power
The acclaimed jazz singer had to channel the power of being herself for her vocal
Vijay Iyer’s inspired solo set at London Piano Festival
Kevin Le Gendre witnesses a stirring performance by the preeminent US pianist at Kings Place,
Trumpeter Ambrose Akinmusire brings 21st century blues to Brighton Dome
The lauded bandleader dazzles with his sophisticated high-calibre band By Nick Hasted for Jazzwise Magazine
Monty Alexander Shows Off his Vocal Prowess on “Love Notes”
By Howard Campbell for South Florida Caribbean News KINGSTON, Jamaica – One of the
Album Review: Pianist Emmet Cohen Honors Harlem Locale & Duke Ellington On ‘Uptown in Orbit’
By Jim Hynes for Glide Magazine Pianist and composer Emmet Cohen picks up where