Sing the Truth

  • Bio
Five-time Grammy winner DIANNE REEVES is the pre-eminent jazz vocalist in the world. As a result of her breathtaking virtuosity, improvisational prowess, and unique jazz and R&B stylings, Reeves received the Grammy for Best Jazz Vocal Performance for three consecutive recordings – a Grammy first in any vocal category. Reeves has recorded and performed with Wynton Marsalis and the Lincoln Center Jazz Orchestra. She has also recorded with the Chicago Symphony Orchestra conducted by Daniel Barenboim and was a featured soloist with Sir Simon Rattle and the Berlin Philharmonic. Reeves was the first Creative Chair for Jazz for the Los Angeles Philharmonic and the first singer to ever perform at the famed Walt Disney Concert Hall.
 
Time Magazine has called ANJELIQUE KIDJO “Africa’s premier diva”. The BBC has included her in its list of the continent’s 50 most iconic figures, and in 2011 The Guardian listed her as one of their Top 100 Most Inspiring Women in the World. Forbes Magazine has ranked Angelique as the first woman in their list of the Most Powerful Celebrities in Africa. Kidjo is the recent recipient of the prestigious 2015 Crystal Award given by the World Economic Forum in Davos, Switzerland and the 2016 Amnesty International Ambassador of Conscience Award. Kidjo has cross-pollinated the West African traditions of her childhood in Benin with elements of American R&B, funk and jazz, as well as influences from Europe and Latin America.
 
LIZZ WRIGHT has been charming music fans worldwide ever since she appeared on the late pianist and composer Joe Sample’s 2002 disc, The Pecan Tree (Verve). The following year, she gained even wider recognition for her critically acclaimed debut record, Salt (Verve). which introduce one of the most captivating female vocalists of her generation as it raced to number two on Billboard’s “Top Contemporary jazz” chart. Wright was born in the small town of Hahira, Georgia. A preacher’s kid, she sang during most services, and it is there, deep in the joy of ministry, that one can find the roots of the voice and spirit that so captivates listeners. With peculiar focus, Wright seamlessly weaves through the genres of gospel, jazz, folk, pop, and blues, handling them like colors on a palette. Ultimately, it is the voice, the stories told and the call to connect that transcend categorization and stir audiences.

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